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| 內容簡介： |
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本书汇集了英国浪漫主义诗人重要的诗歌理论著作，是读者理解浪漫主义诗歌、参悟浪漫主义诗人思想的之作。本书包括布莱克的《后审判之灵视》、华兹华斯的《抒情歌谣集序言》、柯勒律治的《文学传记》、皮科克的《诗歌的四个时代》、雪莱的《为诗一辩》、济慈的《书信》和赫兹里特的《时代精神》等。这些传世之作不仅反映出了浪漫主义诗人对诗歌的深刻思考，还体现了作者对时代、社会，乃至人类现状和未来的洞视，永远闪烁着人类宝贵的精神光芒。
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| 關於作者： |
袁宪军
1958年生，北京第二外国语学院教授，复旦大学文学硕士（1988），北京大学文学博士（1994）；已出版专著包括：《乔叟特罗勒斯新论》（1995）、《英国浪漫主义诗歌绎论》（2015）等；译著包括：《浪漫主义艺术》（1992）、《批评的剖析》（1998）、《王尔德诗选》（2010）、《牛津西方哲学史-中世纪卷》（2010）、《柯勒律治诗选》（2015）、《苔丝的哀歌-哈代诗选》（2019）等；英文编著：《英语小说导读》（2010）、《英国浪漫主义诗歌经典导读》（2013）、《启示之音：浪漫主义诗歌批评精选》（2013）等。
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| 目錄：
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Contents
Preface .......... 1
William Blake .......... 5
A Vision of the Last Judgment .......... 5
The Ancient Britons .......... 19
On Homers Poetry.......... 24
William Wordsworth .......... 26
Preface to Lyrical Ballads， with Pastoral and Other Poems (1802) .......... 2 6
Preface to Poems (1815) .......... 50
Essay， Supplementary to the Preface (1815).......... 66
Samuel Taylor Coleridge .......... 93
BIOGRAPHIA LITERARIA (1817) .......... 93
CHAPTER XII .......... 93
CHAPTER XⅢ .......... 123
CHAPTERXIV .......... 131
CHAPTER XV.......... 138
CHAPTERXVII.......... 145
CHAPTER XVⅢ.......... 159
On the Principles of Genial Criticism (Essay Third).......... 182
Agreeable .......... 182
Beautiful.......... 183
Recapitulation.......... 187
Thomas Love Peacock.......... 192
The Four Ages of Poetry (1820).......... 192
Percy Bysshe Shelley.......... 207
A Defence of Poetry.......... 207
John Keats.......... 239
Letters.......... 239
To Benjamin Bailey， 22nd November 1817.......... 239
To George and Tom Keats， 21st December 1817.......... 242
To John Hamilton Reynolds， 3rd February 1818.......... 242
To John Hamilton Reynolds， 19th February 1818.......... 248
To James Augustus Hessey， 9th Cotober 1818.......... 250
To Richard Woodhouse， 27th October 1818.......... 251
To George and Georgiana Keats， 16th December 1818.......... 253
To George and Georgiana Keats， 19th March 1819.......... 254
To Percy Bysshe Shelley， 16th August 1820.......... 256
William Hazlitt.......... 258
The Spirit of the Age or Contemporary Portraits.......... 258
Mr Coleridge.......... 258
Sir Walter Scott.......... 269
Lord Byron.......... 281
Mr Southey.......... 293
Mr Wordsworth.......... 302
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| 內容試閱：
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Preface
The collection in a single volume of the critical and theoretical writings by the English Romantics that will provide material for the reader interested in Romanticism to have a reasonably thorough course of readings is accumulated mainly with the consideration that the survival of the spirit of the Romantic Age might be plausibly a promotive agency in our cultivation of a sound and elevated society and that the way of critical and creative thinking of the English Romantics might spur the ‘spontaneous overflow of powerful feelings’ in our young people’s endeavour and attempt in their enterprise，business，and daily life. The tenor of the critical writings collected here are， though focusing upon， not confined to Romantics’ theoretical speculation of poetry and criticism of poetic compositions， with their attachment to emancipation， freedom， imagination， intuition， perception， etc elucidated elaborately and effectively here and there in their writings. A conscious observation of the contemporary society， a unfettered and steadfast contemplation of self in relation to others， and a sustained looking to nature and to the light of their own genius， is perhaps exactly what we want in the development our world， both material and intellectual. In short， the cultivation of a noble mind which prevails throughout the writings of the English Romantics， I hope， will help to strengthen and broaden the power of criticism with an aim at seeing ‘the object as in itself it really is’ and free us from remaining in ‘a sphere where alone narrow and relative conceptions have any worth and validity，’* thus of referential assistance to the establishment of a spirit of the age at present.
The selection of the essays in this volume abides by the general supposition maintained by critics at large. Thus William Blake， William Wordsworth， Samuel Taylor Coleridge， Percy Bysshe Shelley and John Keats are the leading figures whose critical ideas have been acknowledged and commented world-widely ever since their writings were published， and they have been included in an impressive variety of collections and selections concerning Romanticism. In this volume I make no attempt to change the ordinance. However， I could not completely restrain myself from a personal preference though I know that objectivity is always the principle in any of this kind of sellections. Therefore there must be some writings or passages carrying a certain weight of importance not included in this volume， but that does not mean that the reader would not have the opportunity of acquiring a general understanding of the organic whole of the critical thought of the Romantic(s). Of course， there is a great difference in the handling of the particular writer. For example， I do not include Blake’s ‘Annotations to Reynolds’ Discourses’ and ‘Marginalia，’ which are usually taken as the basic enunciation of Blake’s critical thought and are thus preferred by other editors. Here the major consideration is that， as in the other writers in this volume， the whole text is provided as long as possible since the context is crucial in our understanding of the principal concepts and ideas of the Romantics (and thus the complete chapters rather than extracts are offered from Coleridge’s Biographia Literaria and Keats’s letters). But we will not lose Blake’s opinions on the principal subjects of the age. I include here Wordsworth’s ‘Essay， Supplementary to the Preface’ and ‘Preface to Poems’ in addition to the ‘Preface to Lyrical Ballads，’ so that the reader may discern the minute changes as well as the development of his theoretical thinking. Love Peacock’s ‘The Four Ages of Poetry’ and Shelley’s ‘A Defence of Poetry’ are as usual put together in oder that the reader see clearly the contrary speculations with regard to Romantic poetry. One thing out of the reader’s expectation is perhaps the inclusion of the passages from William Hazlitt’s The Spirit of the Age， the aim of which is for the modern reader to get a glimpse of the critical portraits of English Romantics by one of their contemporaries.
I will not supply anything like an introduction or a headnote for each part since I would rather the reader resort to his/her own judgment， not the preoccupation of the editor， for what ‘itself it really is.’ And neither will I provide footnotes unless I believe compulsary—the footnotes only brush aside the obstacles that hinder the reader’s understanding.
I am， of course， indebted to many people who have contributed in one way or another to the completion of a series of books published and to be published in Fujian Education Press， among which this is one. Special thanks go to Ms Li Yang and Liang Jing， whithout whose timely and effective help the series would never come into being.
Yuan Xianjun
* Matthew Arnold， The Function of Criticism at the Present Time (1864).
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